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Adobe indesign cs5 classroom in a book free download free download |
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Adobe Illustrator CS5 Classroom in a Book(BBS).pdf by Adobe Creative Team - PDF Drive. Adobe indesign cs5 classroom in a book free download free download
Information design is the visualization of information through graphic design. This invaluable guide provides a creative, …. Skip to main content. Start your free trial. Show and hide more. Table of contents Product information. Introducing the Workspace 2. Getting to Know InDesign 3. Setting Up a Document and Working with Pages 4. Working with Objects 5. Flowing Text 6. Books to Borrow Open Library. Search the Wayback Machine Search icon An illustration of a magnifying glass.
Sign up for free Log in. EMBED for wordpress. Want more? Advanced embedding details, examples, and help! There are no reviews yet. Be the first one to write a review. In this lesson, you will place footers below the bottom margin of the page where there are no column guides. To position the footers accurately, you will add a horizontal guide and two vertical guides.
If the A-Master spread is not visible in the top section of the Pages panel, you may need to scroll within the top section of the panel to view it. If you want, you can drag the horizontal divider bar between the master page icons and document page icons downward to view the master page icons without having to scroll. Also notice that the dimmed X and Y values in the Control panel indicate the position of the pointer.
Drag a ruler guide down to approximately 62 picas. Pressing Ctrl Windows or Command Mac OS when you create a guide causes the guide to extend across both pages of the spread, as well as the pasteboard on either side.
You can use either panel to make many common modifications, such as changing position, size, scale, and angle of rotation.
A selected guide is displayed with a different color than guides that are not selected. When the guide is selected, the Y value is no longer dimmed in the Control or Transform panel. Select the value in the Y box in the Control panel and type 62p to replace the current value. Press Enter or Return to apply the value to the selected guide. Watch the X value in the Control panel as you drag. The guide snaps to the column guide at that location. If necessary, zoom in and use the scroll bars or Hand tool.
On the left master page, click where the two ruler guides intersect below the second column and drag to create a text frame, as shown. The letter A appears in your text frame. Or you can choose this same command from the Type menu. Make sure that all of the text you just entered is visible. If necessary, enlarge the text frame by dragging the lowerright corner until the text is visible.
To change the attributes of a portion of text within the frame, use the Type tool to highlight the text. Make sure that you change the font size, not the leading. To avoid modifying your defaults, be certain that an object is selected before making changes in a panel.
The Control panel should display an X value of 12p0. This provides a visual distinction between master items and objects created on document pages, whose bounding boxes are displayed with solid lines. If necessary, increase the magnification and scroll as needed to view the text frame on the bottom of the right master page.
Hold down the Alt key Windows or Option key Mac OS , and drag the text frame to the right master page so that it snaps to the guides, mirroring the left master page as shown below. The text is now right-aligned within the footer frame on the right master page. Left footer and right footer 19 Close or dock the Character panel. Renaming the master page When documents contain several master pages, you may want to assign a descriptive name to each master page to make them easier to identify.
Confirm that the A-Master page is still selected. Creating an additional master page You can create multiple master pages within a document. You can build them independently, or base one master page on another master page. If you base a master page on another master, any change made to the parent master is automatically applied to the child master.
For instance, the Grid - Footer master page is useful for most of the pages in the magazine and can be used as the basis for another set of master pages that share key layout elements, such as margins and the current page number character. To accommodate different layouts, you will create a separate master page spread that contains placeholder frames for text and graphics. The new master will be based on the Grid - Footer master. Summer Vacations 3 C D A.
A-Grid - Footer master C. Document pages based on A-Grid - Footer B. B-Placeholder master D. Notice that the letter A is displayed on the B-Placeholder master page icons at the top of the Pages panel. This letter indicates that the A-Grid - Footer master serves as the foundation for the B-Placeholder master.
If you were to change the A-Grid - Footer master, the changes would also be reflected in the B-Placeholder master. You may also notice that you cannot easily select objects, such as the footers, from other master pages. Adding a placeholder frame for text The first placeholder frame contains the title of an article in a rotated text frame.
In the pasteboard area to the left of the page, drag to create a text frame that is slightly wider than the page and approximately as tall as one of the grid blocks. The text frame is selected. Drag the lower-center handle of the text frame until the frame is just large enough to contain the text. If the text disappears, drag the frame handle down again to make the frame larger.
Keep the text frame selected. Then drag the center handle on the bottom edge of the frame to extend the frame to the bottom margin of the page. Be careful to click the small square resizing handle and not the larger square to its left. Adding placeholder frames for graphics You have now created the placeholder text frame for the title of your article. Similar to the text frame you created, these frames act as placeholders on document pages, helping you to maintain a consistent design.
Although the Rectangle tool and the Rectangle Frame tool are more or less interchangeable, the Rectangle Frame tool, which includes a nonprinting X, is commonly used to create placeholders for graphics. For some smaller documents, you may not need to create master pages and placeholder frames. Creating a guide before you draw makes it easier to position the graphics frames. The current location Y value is displayed as you drag.
Release the mouse when 34p0 is displayed. To make sure that the guide is at the pica location, select the Selection tool and click the guide to select it the guide changes color. Then type 34p in the Y box in the Control panel, and then press Enter or Return. In the Control panel, the X Location value should be 11p0.
Drag a horizontal ruler guide down to the pica location on the right master page. The top edge of the frame should align with the guide you just created in the previous step; the bottom edge should align with the bleed guide below the bottom of the page.
Applying a text wrap to graphics frames You can apply a text wrap to a placeholder frame on a master page to cause text to wrap around the frame on any page to which the master page is applied. Press Enter or Return. A visible wrap boundary appears at the bottom of the frame. Text wrap offset applied to graphics frame 4 Using the Selection tool , select the placeholder graphics frame that you created on the right master page. Repeat steps 2 and 3, but this time type 1p in the Top Offset box, leaving all of the other offset settings at 0p0.
A visible wrap boundary appears at the top of the frame. These elements appear on all pages to which the B-Placeholder master has been applied. Then click a blank area to deselect the guide. Position the pointer where the bleed guides intersect outside the upper-right corner of the right master page.
Drag to draw a frame that extends horizontally to the spine and vertically to the horizontal guide at the pica position. Guides command is also available from the context menu when right-clicking Windows or Control-clicking Mac OS a blank area of the page or pasteboard. Notice that the Fill box is also in front of the Stroke box in the Tools panel.
Drag to draw a frame that extends horizontally to the right edge of the first column and vertically to the bleed guide below the bottom of the page. Repeat step 7 to fill the frame with [Paper].
Notice that the new frame blocks the placeholder text from view. Later in this lesson while laying out a document page, you will change the fill color of this placeholder frame to one that is appropriate for the color scheme of the accompanying article.
Adding master text frames You have added placeholders for the title, graphics, and two background frames for the B-Placeholder master page spread.
Drag up and to the left to draw a text frame that is eight rows tall and four columns wide. The frame should extend vertically to the top margin and horizontally to the left column guide of the second column. Close or hide any panels, as necessary, to view the spread. In the Columns section of the Text Frame Options dialog box, change the value in the Number box to 2. Each of the main story text frames includes two columns. To cause text to flow automatically from one text frame to the next, you will thread the frames.
Position the pointer over the text frame on the master page on the right so that it changes from a loaded text icon to a thread icon and then click. The text frames are now linked.
You can thread text frames whether or not they contain text. By default, all of the document pages are formatted with the A-Grid - Footer master. You will apply the B-Placeholder master to the appropriate pages. You can apply master pages to document pages by dragging master page icons onto document page icons or by using an option in the Pages panel menu. In large documents, you may find it easier to display the page icons horizontally in the Pages panel.
Drag down so that you can see all of the master page icons. Then position the pointer in the lower-right corner of the Pages panel and drag the lower-right corner of the Pages panel down as far as necessary until you can see all of the document page icons. When a box appears around both page icons representing the spread, release the mouse button. Right: The icons for pages 6 and 7 contain the letter B to indicate that the B-Placeholder master page is applied to them.
The B-Placeholder master pages are applied to pages 6 and 7, as indicated by the letter B in the page icons. In the To Pages box, type Notice that pages 6—11 in the Pages panel are now formatted with the B-Placeholder master. Page 12 requires individual formatting without page numbering, so no master page formatting is required for this page. Release the mouse button when a box appears around the page icon. Make sure that the A-Grid - Footer master is assigned to pages 1—5 and the B-Placeholder master is assigned to pages 6— Page 12 should have no master page assigned to it.
You can use different kinds of page numbering by adding a section. Starting with page 2, the numbers now appear as Roman numerals. The numbers in the footers of the pages also appear as Roman numerals. If you want to navigate to a page, double-click the page icon in the Pages panel.
Now your pages are properly renumbered. Notice that a black triangle appears above pages 1, ii, and 2 in the Pages panel, indicating the start of a new section. You will return to this four-page section later in the lesson.
Adding new pages You can add new pages to your existing document. Two pages are added to the end of the document, using B-Placeholder as the master. When you see a black bar to the right of page 10, release the mouse button. Page 8 is moved to the position of page 10, and pages 9 and 10 are moved to the positions of 8 and 9, respectively. Pages 8 and 9 are deleted from the document. Notice that since the B-Placeholder master is assigned to page 2, the page includes the grid, the footer, and the placeholder frames from the B-Placeholder master.
The pointer becomes a loaded graphics icon and shows a preview of the image. You may need to move the loaded graphics icon toward the top of the placeholder frame above the margin guide at the top of the page to see the icon in parentheses.
Because the text frame is in front of the graphics frame, the loaded graphics icon appears in parentheses only when the pointer is within the graphics frame. InDesign uses the existing frame rather than create a new text or graphics frame. You may need to move the loaded graphics icon toward the right of the placeholder frame to see the icon in parentheses. You can avoid this by deselecting objects prior to importing or by deselecting Replace Selected Item in the Place dialog box when importing a file.
With the loaded text icon, you can drag to create a text frame or click inside an existing text frame. When you move the loaded text icon over an existing text frame, the icon appears in parentheses. Notice that parentheses are displayed around the icon. Click the mouse. If these frames had not been threaded, the text would have flowed only into the text frame on page 2 and would have resulted in overset text. In that situation, you could still manually flow the text from page 2 to 3. InDesign prevents you from accidentally moving or deleting these objects by requiring you to override or detach master items on document pages before you can select or modify those items.
With the Selection tool , try to select this text frame by clicking it. You cannot select master page items on the document pages simply by clicking.
However, by holding down modifier keys on your keyboard, you can then select a master page object such as this text frame. In the Swatches panel, select the Fill box , then choose [Paper] to make the text white. For example, a standard-sized magazine with portrait-oriented pages might require a calendar page with a landscape orientation. To make editing easier, you can rotate—and unrotate—spreads.
In the Tools panel, select the Zoom tool and drag a marquee around the image of the man with the life vest to magnify the image. Move the tip of the Eyedropper tool over the yellow area in the life vest and click to select it. The color you click becomes the fill color that is applied to the text you have selected. Use the Eyedropper tool as you did in step 8 to fill the frame with the same yellow color. This time use the Eyedropper tool to select a dark blue color from the palm tree image on page 2 as the fill color.
Changing the size of pages A new feature in InDesign CS5 lets you create documents with different page sizes. This is the first page of the four-page section you created earlier in this lesson. Press Shift and then click on the page v icon in the Pages panel. The icons for pages ii—v are highlighted in the panel.
The same pages are also highlighted in the document window. These are the pages whose size you will change. Press Enter or Return each time you enter a value to apply it to the selected pages. These values produce a 6" x 4. In the Margins section, make sure that the Make All Settings The Same icon in the center settings is selected unbroken so that you can enter one setting for all four margins. Enter 1p6 in the Top box.
In the Columns section, enter 1 in the Number box, and then click OK. Similar to a graphics file, a snippet is a file that contains InDesign objects, including their location relative to one another on a page or spread. InDesign lets you export selected objects as a snippet file and place snippets into documents.
Choose the location of the file, assign a name, and then click Save. Click to place the snippet. Arabs brought the secrets of papermaking to North Africa, and in the eighth century AD, the Moors brought the secrets of Spain. Summer Vacations As origami evolves, elaborate folding techniques produce amazing models.
Summer Vacations 3 You have formatted enough of the page document to see how adding objects to the master pages helps you maintain a consistent design throughout your document. You have finished the lesson.
Try some of the following exercises. Using the Type tool , drag a text frame over the yellow rectangle on page 3. Triple-click the text to select it, and use the Control panel or Character panel to format the text using the font, font style, size, and color of your choice.
Summer Vacations 3 3 Create a new set of master pages for a spread that you could use for the continuation of this story. Choose New Master from the Pages panel menu. Then create placeholder frames for the text and graphics, giving the spread a different arrangement from the B-Placeholder master pages. When you finish, apply the C-Next master pages to pages 6 and 7 of your document.
Review answers 1 By adding objects such as guides, footers, and placeholder frames to master pages, you can maintain a consistent layout on the pages to which the master is applied. You can then edit, delete, or manipulate the object. TM Tips of the month! Click on the application names below or visit the eVolve website to see Tips In Action! At the start of the new year, we rolled out a whopping NINE new classes!
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We welcome your suggestions on new classes, seminars, and trends. The meeting topic will be posted at evolve's website a week before the event. Register online a day or two before to show up! You can leave this document open to act as a guide as you work. Every newsletter will contain useful graphic and web software tips that you can view as video clips. The breadth and depth of eVolve trainers' experience translates into focused, effective training that yields an immediate and significant increase in your group's production efficiency.
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To see a partial list of the companies we work with, visit our Clients page. Here you see the finished newsletter. By default, every new InDesign document contains one layer named Layer 1. You can rename this layer and add more layers at any time as you create a document. Placing objects on different layers lets you organize them for easy selection and editing. In the Layers panel, you can select, display, edit, and print different layers individually, in groups, or all together.
About Layers Think of layers as transparent sheets stacked on top of each other. When you create an object, you can place it on the layer of your choice, and you can move objects between layers.
Each layer contains its own set of objects. New in InDesign CS5, the Layers panel lets you display the names of all objects on a layer and show, hide, or lock individual objects. Click the triangle to the left of a layer name to alternately display and hide the names of the objects on the layer.
By using multiple layers, you can create and edit specific areas or kinds of content in your document without affecting other areas or kinds of content. You can also use layers to display alternate design ideas for the same layout or different versions of an advertisement for different regions.
Notice that a pen icon appears to the right of the layer name. The pen icon indicates that this layer is the target layer, and anything you import or create is placed on this layer.
All of the groups and objects on this layer are now displayed below the layer name. All the objects on the Graphics layer are hidden.
The eye icon lets you hide or display individual layers. When you turn the visibility of a layer off, the eye disappears. Click the empty box again to display the layer contents. Click to hide layer contents. The spread with the Graphics layer hidden. Using the Selection tool , move the pointer within the screen shot image in the orange frame. Notice that when the pointer is within the graphics frame, a transparent doughnut shape, otherwise known as the content grabber, is displayed in the center of the frame.
When you move the pointer within the doughnut, it changes to a hand. Click and drag when the hand pointer is displayed to move only the graphic within the frame. This indicates that the selected object belongs to this layer. You can move objects from one layer to another by dragging this square between layers in the panel. The image now belongs to the Graphics layer and appears at the top of the stacking order in the document. Select the image and drag its icon in the Layers panel.
Because the Graphics layer was selected when you created the new layer, it is positioned above the Graphics layer in the Layers panel. Change the name to Background, and click OK. A line appears when you move the pointer below the Text layer, indicating that the layer will be moved to the bottom when you release the mouse button.
With Smart Guides, you can snap objects to the edges and centers of other objects, to the vertical and horizontal centers of pages, and to the midpoints of columns and gutters. Plus, Smart Guides draw dynamically to provide visual feedback while you work. Causes object edges to snap to the center of other objects on a page or spread when you create or move an object.
Causes object edges to snap to the edge of other objects on a page or spread when you create or move an object. Causes the width, height, or rotation of an object to snap to the dimensions of other objects on a page or spread when you create, resize, or rotate an object. Lets you quickly arrange objects so that the space between them is equal. Smart Guides are enabled by default.
To familiarize yourself with Smart Guides, create a new multicolumn one-page document. In the New Document dialog box, specify a value greater than 1 in the Columns Number field.
Click the left margin guide and drag to the right. As the pointer moves across the page, notice that a guide is displayed when the pointer reaches the middle of a column, the midpoint between a gutter, and the horizontal center of the page.
Release the mouse button when a Smart Guide appears. Notice that when the pointer reaches the top edge, center, and bottom edge of the first object you created, as well as the vertical center of the page, a Smart Guide appears. Drag the mouse slowly and watch carefully.
Smart Guides appear when the pointer reaches the edge or center of any of the other objects. You can also use the Type On A Path tool to flow text along a path. The size and location of a text frame determine where the text appears on a page. Any content created will be placed on the Text layer now.
Position the pointer where the left edge of the first column meets the horizontal guide at 22p0 on the vertical ruler. Drag to create a frame that snaps to the right edge of the second column and has a height of about 8p. You can select a paragraph by clicking anywhere within it. Click anywhere within the text to select all the paragraph.
Click the style named Testimonials to apply it to the selected paragraph. Double-click to fit the frame to its content. When the pointer approaches the ruler guide, the arrows change in appearance, indicating that the frame edge is about to snap to the guide. Four very small anchor points now appear at the corners of the selected text frame. The anchor points are hollow, indicating that none of them is selected. Unselected anchor point.
As you drag, the text is simultaneously reflowed to give you a real-time view. Release the mouse when the text matches the image below. The gutter controls the distance between the columns.
Insert a column break before the name "Jeff G. If Hide Hidden Characters is displayed—rather than Show Hidden Characters—at the bottom of the Type menu, hidden characters are already showing. By adjusting the space between the edge of the frame and the text, you make the text easier to read. If necessary, drag the Text Frame Options dialog box aside so that you can still see the bar as you set options.
Change the Left value to 3p to move the left margin of the text frame 3 picas to the right and away from the left edge of the frame, and then change the Right value to 3p. Settings The Same icon lets you change all of the inset values at the same time. You need to deselect it when you want to change values independently. Isolating items on different layers streamlines your workflow and makes it easier to find and edit elements of your design.
Lock the Text layer by clicking the box to the left of the layer name. Select the Graphics layer by clicking the name of the layer so that the new elements are assigned to this layer.
Move the pointer to the corner where the top and left margin guides intersect and drag down until the pointer reaches the horizontal guide and then across to the right edge of the first column. Drag to create a graphics frame. In this case you could click within the frame to place the image. The image appears in the graphics frame. Make sure you drag the small, white handle and not the larger, yellow one. As you drag, the entire logo is displayed so you can easily see when the frame edge is beyond the edge of the logo.
The pointer changes to a loaded graphics icon. Notice that as you drag, a rectangle is displayed. This rectangle is proportional to the logo image. Placing multiple graphics in a grid of frames The back cover of the newsletter should contain six photos.
You could place the photos one by one and then position each one individually, but because they will be arranged in a grid, you can place all the photos and arrange them in a grid at the same time. Click Open. As you drag, press the Up Arrow key once and the Right Arrow key twice. As you press the arrows, the proxy image changes to a grid of rectangles to indicate the layout of the grid. A grid of six graphics frames displays the six photos you placed. The content and frame for any placed graphic are separate elements.
Unlike text objects, a graphics frame and its content each have their own bounding boxes. Resizing the graphic content is exactly like resizing the frame, except that you first select the bounding box for the content before resizing it. When the pointer is within the content grabber, a hand icon is displayed. Do the same with the center top handle and drag it to the top of the frame. The Shift key maintains the proportions of the graphic so that it is not distorted.
You can select either the frame or its content. This increases the scale of the graphic so that the frame is filled. A small portion of the graphic is now cropped by the right edge of the frame. The Shift key maintains the proportions of the bounding box so that the graphic is not distorted.
Adjusting the space between frames The Gap tool lets you select and adjust the space between frames. Hold down the Z key to temporarily access the Zoom tool , zoom in on the two photos at the top right, and then release the Z key to return to the Selection tool.
The gap is highlighted—all the way down to the bottom of the two photos below. Press Z to temporarily access the Zoom tool, and then zoom in on the two photos on the bottom left. You may have to drag left or right depending on which graphic you click closest to.
Adding metadata captions to graphics frames A new feature in InDesign CS5 lets you automatically generate captions for placed graphics based on metadata information stored in the original graphics files. Make sure to enter a space character after by. This metadata information is used when the photo credit caption is generated.
Changing the shape of a frame When you resized a graphics frame using the Selection tool, the frame maintained its rectangular shape. In the Layers panel, click the lock icon for the Text layer to unlock it. Move the tip of the pointer over the right edge of the green frame that covers the page, and click when the pointer appears with a small diagonal line.
This selects the path and reveals the four anchor points and center point for the frame. Leave the path selected. When you see the Add Anchor Point tool , click. A new anchor point is added.
The Pen tool automatically changes to the Add Anchor Point tool when it moves over an existing path. Repositioning the anchor point at the upperright corner of the green frame will complete the reshaping of the frame.
Click to select the upper-right corner point of the green frame. Drag the point down and to the left. When the anchor point snaps into place at the intersection of the right edge of the first column and the first horizontal guide from the top of the page at 40p9 on the vertical ruler , release the mouse button.
The graphics frame is now properly shaped and sized for the design. Wrapping text around a graphic You can wrap text around the frame of an object or around the object itself. Your first task is to move the Yield sign graphic. For precise positioning, you can use the Smart Guides that are displayed dynamically when you create, move, or resize objects. Make sure to click when the arrow pointer is displayed. When the center point aligns, you should see a vertical Smart Guide appear.
When this guideline appears, release the mouse button.
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